探索：吳季璁的《灰塵》
(English) The technology used by Wu may therefore be seen as an interstitial instrument in the spontaneous re-creation of an essential non-desiring spirit. This is, however, only a partial reading. >> 更多
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李松松：我们曾经背叛了革命
李松松的绘画汇聚了多对明显矛盾：物体性与平面性、绘画性与雕塑性、抽象与叙事、现实与虚幻、审美化与去光晕的错位、大胆的设想与身体的局限等。从后现代转向来看，这些矛盾汇合在一起呈现出一种场所，回荡着差异与张力的不安咒语。 >> 更多
